Profile
Experienced Visual Effects professional with a 24-year track record across production and post-production, delivering high-quality imagery for feature films, television, and commercials. Known for rapidly adapting to new technologies and services.
Skilled in working diplomatically with individuals at all levels, from seasoned professionals to newcomers. Trusted with sensitive and confidential projects. Capable of devising and communicating clear, comprehensive and original ideas both verbally and illustratively to clients and teams. Proven ability to create compelling visuals on time and within budget, consistently meeting the expectations of both filmmakers and studios.
Adaptable and resilient, capable of working precisely & calmly under pressure and tight deadlines, team oriented, with
excellent problem-solving skills. Culturally aware and effective in diverse environments.
Skills Summary
Script Breakdown and VFX Shot Design
Budgeting and Bidding in Pre- and Post-production
Plate Shoot Supervision
On-Set Decision Making
Extensive Set Data Collection, HDRI Set Photography
Directing MoCap and Miniature Shooting
VFX Shot Design, PreViz and PostViz Design
Software Knowledge: Nuke, Digital Fusion, Resolve, Photoshop, Illustrator, Maya, Massive, Shotgun, FileMaker, MS Office
VFX Pipeline Design and Implementation
Cost Tracking and Analysis
Multi-Vendor Teams Management
VFX Supervision in post-production
Post Editorial and Finishing
Professional Experience
- Breaking down scripts into detailed VFX shots and sequences, identifying the physical requirements of each. Solving technical challenges while preserving the project’s creative vision, and designing visual solutions that stay on budget and on schedule.
- Working with Directors, DOPs, Art Directors & Producers to design and plan VFX requirements that fully compliment the needs and budgets of the show.
- Planning and managing shots, production assets, VFX set equipment, software, location VFX crews, surveying & HDR.
- Hands-on management on set, offering real-time solutions to unexpected production changes or complications.
- Creating shot concepts starting from storyboards and developing them into 3D Previz and Postviz sequences.
- Assembling and scaling in-house VFX teams for both pre- and post-production phases, tailored to the specific needs of the project.
- Designing production workflows, including selecting and integrating software tools for 2D compositing and 3D animation.
- Supervising and directing external VFX vendors, ensuring quality and consistency across all work.
- Navigating sensitive dynamics between production and studio with diplomacy and awareness. Skilled at understanding and balancing the creative priorities of both directors and studios.
- Providing reassurance and support to the director and production team when needed.
- Planning daily tasks with foresight into weekly and long-term production goals.
- Efficiently organizing shots and elements for internal teams and third-party vendors to optimize time and cost.
- Monitoring post-production progress, offering creative guidance, and motivating teams through a positive and empowering approach.
- Strong understanding of story and character, and how these elements influence and inform VFX design and execution.
- Preparing and delivering final shots according to DI and online post-production specifications.
- Maintaining focus and momentum within the team while meeting deadlines.
- Practicing open, honest, and consistent communication, with a straightforward and transparent leadership style.
Work History / Credits
Production 703_a3119b-1e> |
Position 703_55117d-62> |
---|---|
Lucky Strike (in postproduction) 703_33d0b1-a1> |
Production VFX Supervisor; On-set VFX supervisor 703_037596-6f> |
The Gray House (TV series) 703_a36142-a2> |
VFX Supervisor (WWFX) 703_737385-9c> |
Helgoland 513 (TV series) 703_a8bd95-fa> |
VFX Supervisor (WWFX) 703_088fe0-4b> |
Unwanted (TV series) 703_552ebd-e2> |
VFX Supervisor (WWFX); Crowd Simulation Artist (Massive) 703_3fc583-10> |
Club Las Piranjas (TV series) 703_d633dc-88> |
VFX Supervisor (WWFX) 703_bdc285-49> |
Drift – Partners in Crime (TV series) 703_e837bd-42> |
VFX Supervisor (WWFX) 703_75031d-27> |
Die Geschichte der Menschheit – leicht gekürzt 703_25face-da> |
VFX Supervisor (WWFX); On-set VFX supervisor 703_4bed26-a0> |
Memory 703_0f190e-5b> |
Production VFX Supervisor; On-set VFX supervisor 703_c72c78-ad> |
The Protégé 703_eb9c13-b4> |
Production VFX Supervisor; On-set VFX supervisor 703_d06cb5-25> |
Pinky 703_a45651-aa> |
Production VFX Supervisor; On-set VFX supervisor 703_11010f-cb> |
Hunter Killer 703_ef1ef4-17> |
VFX Supervisor (WWFX) 703_5c5956-78> |
Bullet Head 703_b2cb91-5e> |
Production VFX Supervisor; On-set VFX supervisor 703_a9c9d9-37> |
Mechanic: Resurrection 703_042aa1-7e> |
VFX Supervisor (WWFX) 703_25da73-86> |
London Has Fallen 703_91b4a9-5d> |
VFX Supervisor (WWFX); On-set VFX supervisor 703_5bef11-36> |
Survivor 703_3eb7ce-0c> |
VFX Supervisor (WWFX) 703_8161df-91> |
The Expendables 3 703_8acffe-81> |
VFX Supervisor (WWFX); On-set VFX supervisor 703_3c29bb-ad> |
The Legend of Hercules 703_f73f0f-e3> |
Production VFX Supervisor; On-set VFX supervisor 703_be8716-42> |
Killing Season 703_be69db-7e> |
VFX Supervisor (WWFX) 703_ba6645-cc> |
Olympus Has Fallen 703_220f94-9b> |
VFX Supervisor (WWFX) 703_500e21-95> |
The Expendables 2 703_ab5c6b-41> |
VFX Supervisor (WWFX); On-set VFX supervisor 703_716e3f-3a> |
Assassin’s Bullet 703_19c61c-d8> |
VFX Supervisor (WWFX) 703_c4924e-af> |
Conan the Barbarian 703_436ad8-fe> |
VFX Supervisor (WWFX); Crowd Simulation Artist (Massive) 703_ff6637-d7> |
The Expendables 703_c3bc72-bc> |
VFX Supervisor (WWFX) 703_93745e-ab> |
The Fourth Kind 703_c60400-a0> |
Production VFX Supervisor; On-set VFX supervisor 703_fc1e1b-d6> |
Ninja 703_88dc8c-55> |
Crowd Simulation Artist (Massive) 703_c9da42-64> |
Command Performance 703_bf99a2-09> |
Crowd Simulation Artist (Massive) 703_84a151-f2> |
The Code 703_ae5715-81> |
3D Lead Artist 703_edc53d-a9> |
Private Valentine: Blonde and Dangerous 703_fd3eb3-22> |
VFX Supervisor (WWFX) 703_d69a9e-d0> |
Roman Mysteries (TV series) 703_82f7a7-1c> |
On-set VFX supervisor 703_ba9209-1a> |
Day of the Dead 703_6bf525-0c> |
Production VFX Supervisor; On-set VFX supervisor 703_a445a6-76> |
Rambo 703_1de3ae-67> |
VFX Supervisor (WWFX) 703_b84d25-5f> |
Attack of the Gryphon 703_4986b4-a9> |
Production VFX Supervisor; On-set VFX supervisor 703_9d05a1-5d> |
Wicked Little Things 703_f27d89-14> |
Production VFX Supervisor; On-set VFX supervisor 703_2ae55b-47> |
The Contract 703_9a9558-47> |
Production VFX Supervisor; On-set VFX supervisor 703_c060a0-c3> |
End Game 703_956f51-68> |
Production VFX Supervisor; On-set VFX supervisor 703_894713-70> |
Edison 703_3e4f91-f0> |
VFX Supervisor (WWFX) 703_af81ba-66> |
Submerged 703_dbf908-76> |
Production VFX Supervisor; On-set VFX supervisor 703_7101c7-08> |
Mansquito 703_24716c-82> |
Production VFX Supervisor; On-set VFX supervisor 703_95344c-c7> |
Control 703_2f92e4-cf> |
3D artist/generalist 703_b03497-a7> |
Unstoppable 703_eae413-f7> |
VFX Supervisor (WWFX) 703_7c2c4c-cf> |
Alien Lockdown 703_9f957b-bd> |
Production VFX Supervisor; On-set VFX supervisor 703_088f99-c7> |
Air Marshal 703_e2a7bf-a4> |
Production VFX Supervisor; On-set VFX supervisor 703_778718-80> |
Submarines 703_6599d0-37> |
Production VFX Supervisor; On-set VFX supervisor 703_ece499-5b> |
Alein Hunter 703_c9e6c9-7e> |
VFX Supervisor (WWFX) 703_61618d-12> |
Death Train 703_116924-07> |
3D artist/generalist 703_27f8e7-bd> |
Shark Attack 3: Megalodon 703_923024-00> |
3D artist/generalist 703_e6198c-08> |
Derailed 703_f88445-ed> |
3D artist/generalist 703_e219fc-ad> |
Crocodile 2: Death Swamp 703_193fa4-4a> |
3D artist/generalist 703_d7573a-ae> |